Marshalltown Road Large Web view.jpg Birdhouse for Maud ThumbnailsOpps
Marshalltown Road
Oil on masonite
24 x 40
$4200


“Given its connection to historical presentist nostalgia for a lost capitalist age, Maud Lewis’s legacy in Nova Scotia continues to be a source of controversy. Yet, once institutional actors such as the AGNS, in partnership with Scotiabank, identified Lewis as a folk artist upon whom they could capitalize, her work no longer operated as items of local exchange or of commemoration within networks of small commodity producers and consumers. In an age of neoliberal museum development, the AGNS’s commodification of Lewis negotiated any contradictions in the historical presentist narrative with ease. The house in a sense became too valuable to leave in Digby County, even if there remained widespread investment in locating Lewis’s memory there. The provincial gallery thus did more than determine the ongoing significance of of Lewis’s place in artistic circles of Nova Scotia. In ways typical of the neoliberal era, the AGNS capitalized significantly on Lewis as a representative of a widespread postwar mythology that the neoliberal fantasy seeks to debunk – namely, dastardly unions and welfare bums getting in the way of hard working people such as Maud and Everett.” – Erin Morton, For Folk’s Sake